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It’s difficult to conceptualize how this plane played a pivotal role in opening the Pandora’s Box of nuclear armament. The B-29 Superfortress is displayed amidst commercial and recreational aircraft, things which seem so whimsical by comparison. All of their stories are uniquely compelling.īut the aircraft that dropped the first atomic bomb? It seems so far removed from the event and all the suffering that came afterwards. I’ve recently discovered the work of third-generation hibakusha photographer Kei Ito and first-generation hibakusha painters Iri and Toshi Maruki. Hearing and reading the lived experiences of the hibakusha, survivors of the atomic bombs dropped over Hiroshima and Nagasaki, deeply affects me.
HOW DID ENOLA GAY CREW FEEL HOW TO
Udvar-Hazy Center in Chantilly, VA several times and never quite know how to react to seeing the Enola Gay.
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Or is this merely a way to evade responsibility? Can an artifact’s interpretation be so vague that it falls short of telling an important story? In this blog post, we will talk about the Enola Gay B-29 Superfortress and what story it tells within a public exhibition space. In some cases, the less is more approach allows the narrative to remain open to personal interpretation. Interpretation becomes challenging when an artifact is very emotionally and culturally loaded. Nevertheless, museums and historians must routinely navigate this. It’s impossible to be totally objective in the development of a historical narrative because everyone carries biases on at least some unconscious level.
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Of course as the name suggests, interpretation is subject to interpretation. The most effective interpretation succinctly summarizes the key points of a historical artifact. Often less is more when communicating information to a broad audience with limited time and attention spans. Interpretation helps shape the perceptive experience of the viewer. There is the artifact-the historical object on display and the interpretation-the explanation providing a contextual reference for the object. When visiting a museum, there are two essential parts of the experience.